Museum dedicated to hip-hop potentially coming to Memphis.

"Plans for a Memphis hip-hop museum to showcase the city's musical history are in the works."

December 12th 2024.

Museum dedicated to hip-hop potentially coming to Memphis.
Memphis, Tennessee, is known for its soulful music, but in recent years, hip-hop has also become a significant part of the city's cultural landscape. In fact, the city is now considering the establishment of a permanent museum dedicated to celebrating the music and culture behind this genre that has emerged from the vibrant Bluff City.

Recently, at a Shelby County Commission meeting held on December 11th, this exciting proposal was brought up for discussion. Beverly Robertson, former president of the Greater Memphis Chamber and executive director of the Civil Rights Museum, represented Trust Marketing and spoke to the city commissioners about the idea of a Memphis hip-hop museum. She highlighted the thriving music scene in Memphis over the years, but also acknowledged a recent lull after the closure of Stax, a prominent music label.

The potential for this hip-hop museum is immense, with an estimated annual visitor count of over 43,000 people. The organizers also anticipate operating expenses of $1.8 million per year, with a projected revenue of $1.14 million. However, additional funding of more than $700,000 may be required to make this project a reality.

Robertson expressed confidence in the sustainability and growth of the museum once it is established. She added, "Once we get anchored, we will figure out how to generate the revenue to be able to sustain and grow the museum long-term."

One of Memphis's own recording artists, Al Kapone, who is known for his song "Whoop That Trick" on the Hustle and Flow soundtrack, is in full support of this idea. He believes that a hip-hop museum would not only showcase the city's unique music scene but also attract more tourists, driving economic growth.

"The Memphis music scene, especially the hip-hop scene, has been dominating for a long time. We've been just as unique as the soul music era," said Kapone.

During the meeting, the commissioners also raised questions about involving local artists, musicians, and historians in the project. They also suggested the possibility of incorporating an educational component for children, with a potential job-training program in music for young adults. The organizers responded positively, stating that there could indeed be opportunities for involvement from the community. They also mentioned plans for master and production classes, as well as designated spaces for performances and wellness activities.

In conclusion, it is evident that a hip-hop museum in Memphis would not only pay tribute to the city's rich musical heritage but also have a positive impact on its economy and community. As Al Kapone aptly put it, "We need that hip-hop museum in Memphis because the history runs deep." This sentiment is further supported by the upcoming symposium on 1964's Freedom Summer, which will be hosted by the National Civil Rights Museum, showcasing Memphis's role in the civil rights movement.

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