February 13th 2025.
The highly anticipated crime-writing festival, Granite Noir, has finally arrived in the charming city of Aberdeen. And what better way to kick off the festivities than with a thrilling adaptation of Agatha Christie's classic tale, Murder on the Orient Express. Written for the stage by Ken Ludwig, this captivating performance is just the beginning of a packed schedule of events that celebrate the art of writing and storytelling.
Follow the iconic detective, Hercule Poirot, as he boards the infamous Orient Express train on his way to London. But when a snowstorm forces the train to come to a halt, tragedy strikes and the passengers find themselves caught up in a web of intrigue and deception. If you're not familiar with the story, don't worry. The fast-paced "whodunnit" style of the play will keep you on the edge of your seat, following along with the clues and trying to solve the mystery yourself.
The talented cast brings the characters to life with their impeccable performances, fully embodying their roles and even mastering convincing accents. Michael Maloney's portrayal of Poirot is simply outstanding. He captures the detective's astute nature perfectly, making it hard not to fall in love with the character. And let's not forget Christine Kavanagh's fantastic performance as the loud and flirtatious American, Helen Hubbard. She effortlessly steals the spotlight, always eager to be the center of attention.
But it's not just the performances that shine in this production. The staging is equally impressive, with a set that is both stunning and versatile. As the play progresses, the set transforms into different compartments of the train, from the cramped rooms to the elegant lounge and even the train's corridor. The cast and crew make clever use of these spaces to create a sense of movement and bring the train to life on stage.
One of the most impressive aspects of the staging is how the set seamlessly transitions between scenes. At times, the train carriage is broken into segments and angled towards the back of the stage, while the scene takes place on the center floor. This creates a sense of depth and adds to the illusion that the audience is truly on board the train.
Overall, Murder on the Orient Express is a must-see performance that is sure to keep you enthralled from beginning to end. And if that's not enough to convince you, there's still plenty more to look forward to at Granite Noir, with events starting on February 20th. Make sure to check back for more updates and information on this year's exciting program. And for those who can't get enough of The Good Books, be sure to subscribe and read the latest issue of Scottish Field. For more information on Granite Noir, including the full program, visit www.aberdeenperformingarts.com/granite-noir.
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